Book
Four - The Masquerade
Part
Fourteen
As Brennan and
Cambina continue to dance, "I did notice Martin.
I thought he was trying to convince everyone else that it was all under
control.
I hope he's not convincing himself. I hope he knows enough to
bend
and accept help when he needs it, too."
She laughs. "He's a lot like Bleys. Not that
he
would admit it."
Yes," he quips, "But is it Martin who won't admit
it?
Or Bleys?"
"Fallacy of the excluded third. It's both."
"Only excluded for the purpose of a quick shot."
At some point, they are sure to see Vere and Vesper
gliding
across the ballroom floor, as well. Brennan gives that a
tilt-headed
glance for all the world just like a Fox staring into a
grammophone.
"Well that was... odd. Our dear Ghost is behaving badly, isn't
he?"
Not
that the Fox, of all people, thinks that's a problem. The snicker
would
make that clear to anyone who missed the smirk.
"Yes, he's full of pepper. She'll turn that to her
advantage,
though, once she has time to think it through. She gets
'Supporting
the Queen', 'supporting her daughter', and 'member of the royal family'
out
of it. Look at who she's on the floor with, family and Gatwegian
sorceresses.
She's an opportunist; she knows when to change horses. If the
rest
of it hadn't happened that night, it would have been her masterstroke,
too..."
Brennan seems about to reply with another wisecrack, then
parses
the tense on that last sentence and reconsiders. And waits until
he
thinks it's passed, then, "So, I'm not sure if this is a delicate
subject
or a clumsy question, but forgive me regardless: How would you
like
me to react when your verb tense slips like that?"
When
in doubt, try directness.
She stiffens, slightly. "Jerod usually acts like
he's
bringing me out a trance. Usually, I have no idea what I've
said.
What did I say?"
He gives her hand a squeeze that he hopes to be
reassuring,
comforting, or both, as he leads her to a less florishy set of steps
where
conversation will be easier.
"Well,
that doesn't sound very pleasant," he says. "I think you were
alluding
to something important that happened-- or will happen--tonight.
But
that isn't really the point. This is: There's probably a
place
somewhere between treating you like fine crystal, and callous
indifference.
I thought I might do less damage asking, then thrashing my way to an
answer."
Implicit
in the conversation is that Brennan will continue to see enough of
Cambina
in the future for this to matter.
"He doesn't mean any harm. It's sweet in a stupid
little
brother way, really. From my point of view, there's a fine line
between
acting like fine crystal and being a danger to myself and others.
The
line isn't that fine, actually. The only one of my aunts who ever
struck
a balance was also the brains behind a near-successful coup.
There
aren't a lot of positive role-models for Royal Women." She is
smiling,
but it's a gallows humor.
Actually, Brennan's ambiguity covered both Jerod's
reaction,
and the business of not even realizing when she's done it.
"There's
a reason she's my favorite aunt." A moment later he realizes just
how
bad that might sound out of context-- or even in-- and he's grateful
that
the waltz is private.
"Let's
try that again-- I admire her intelligence and determination."
Cambina smiles, "She's mine as well, although I suspect
I'll
never be as confident as she is."
"Give it time," he says. "You remind me of her, in
some
ways."
After
a bit, semi-random thoughts collide in his mind, and he asks, "Did you
know
Deirdre well? I only met her the once, briefly."
Cambina sighs softly. It is clear to Brennan that
Deirdre
was not Cambina's favorite aunt. "I would not say I knew her
well.
She had a certain ruthlessness that kept her from being kind to Eric's
daughter.
I admired the skill with which she kept both Eric and Corwin
balanced.
It was a centuries long dance of manipulation. I have often
wondered
if she didn't help push them into their conflict. And I
completely
understand why all of her sisters hated her."
Brennan blinks a moment in surprise. Not disbelief,
merely
surprise. "I only had a few moments to form an opinion," he says,
"And
you make me think she got a much different reaction from men, than from
women.
I think her death hit Marius very hard, though."
She nods, failing to comment on the obviousness.
"It's
hard for me to like someone who almost killed me because it furthered
her
plans. She drugged me and left me in her bed to
confuse
her guardians. I don't begrudge her her escape from Father, but
it
was through no kindness of hers that I survived it. No mortal
would
have. I am rather sure she didn't care, or assumed she could talk
her
way out of father's bad graces later."
"Yeah," he says, "that'd do it," without any of the
flippancy
of tone that the flat text might otherwise imply. For obvious
reasons.
"I guess that balances the strength of character in Gerard and King
Random
that brings such warmth and admiration from us. I barely know
Gerard,
but I can see the respect from our cousins who remained in Amber.
Then
again, maybe it's a reaction-- they are the youngest of our
uncles."
She seems happy enough to change the subject.
"Hmm.
Ultimogeniture because only the youngest of them are sufficiently human
to
relate to us? It's an interesting theory. Certainly my father saw
much
more than most people and had trouble explaining to them all the
connections
and leaps he took to determine what was the best path for their
lives.
Should we prescribe a few centuries of amnesia every few centuries to
allow
ourselves to become reacquainted with uncertainty and humanity? A
harsh
prescription, that."
"It can become difficult to relate to people with so much
less
life experience, in cultures where no one attains that much life
experience.
Despite the Brands of the family, it draws me to the City, where I'm
still
a young man. Well, young-ish," he says, recalling a much earlier
conversation
about why Brennan was staying in Amber.
"But
I wasn't thinking of age just eroding compassion. I was thinking
that
the younger of our aunts and uncles also grew up surrounded by vastly
older,
sometimes cruel, family members. I wouldn't want to bet on it in
a
poker game, but there might be some sympathy there. Maybe the
prescription
is to know life somewhere other than the top for a while, whatever the
means."
Cambina nods, clearly considering the theory.
"And
yet, for each cluster of them, was it not the case? Faella's
children
were children in the glowering age of the Cymnean Princes, Clarissa's
lot
were children in the face of Deirdre and Caine and Corwin and, Unicorn
help
them, Father. And then you're into the younger elders of your
thesis.
Should we then hope for sympathy from all our elders? That seems
over-optimistic.
But I don't think we need to worry about a life of limitless success
and
challenge-free arrogance for them or for us in the foreseeable future."
"Well, it's hard to say. Particularly for me.
But
given the perversity of human nature, I wouldn't expect sympathy all
the
way up, I'd just expect slightly more on the way down. The
youngest
of the older generation had more opportunity to be made pawns of their
elders,
because there were more of their elders. And it's modulated by
individual
temperaments, of course," he adds, before she asks. "It's
probably
a bit academic, since I'm not about to put any of them to the
question on the subject."
He
considers. "Well, not tonight."
Cambina snorts. "It sounds like what Father
classified
as 'questions you are frequently better off not asking.' Not that
that
would've stopped him of course. He was a strong believer in
rules.
For others."
The Fox smiles. He can appreciate that reaction on
several
levels. "I thought more in terms of choosing the right time and
place.
Tonight, for instance, they all seem sober enough to remember tomorrow."
Cambina snorts out a small laugh. "That is not
always
the ideal criterion upon which to decide to start a conversation.
And
I think some of our Uncles are on a pace that will make them wish they
could
forget tonight, tomorrow. Not that anyone here will, afterwards."
On that note, Brennan, who had been enjoying his dance and
his
partner, collects a touch more seriousness about himself.
When
the music for the first waltz is leading toward a conclusion, Brennan
again
leans down, and keeps a perfectly gentlemanly smile on his face:
"Cambina,"
he says, signaling that it's important and not just part of the dance,
"Can
you please keep that beautiful smile at your lips?"
Assuming she nods and does so, he continues, "Brita tells
Fiona
and I that there is... an unlicensed Chaosi present. Fiona
believes
her, so I believe her, but we don't know who or why. We don't
want
to start a panic, but a few more people need to know."
He
notes the change of partners between Vialle and Fiona.
"Random and
Vialle
must know by now. Your brother will be informed ASAP. I'm
going
to tell Lilly, and then try to find Fiona again. Can you tell
Martin
and anyone else you deem appropriate?"
"Of course," Cambina says, without changing her
expression,
as if it were an everyday thing for a Chaosite to secretly invade the
coronation
masquerade of the King of Amber.
And somehow, Brennan's really not surprised. At all.
Robin moves purposely around the crowd toward the garden
doors,
time for a walk, a brisk walk. She catches a glimpse of quickly
moving
russet, framed for a briefly in the open glass doors. As her
green
eyes watch, it's a moment before Fox and Moon join her relatives on the
still
mostly empty dance floor. The Huntress can't - and doesn't want
to
- stop the warm smile that crosses her lips.
Then
the Grey moves. The girl cocks her head with a curious croon as
she
tracks him across the floor to his desti... his prey! A snort of
laughter
is followed by the clap of her hand over the girl's mouth. Robin
turns
her back briefly to the floor as her shoulders shake and her eyes dance
in
merriment.
Verde!
He's good, he's soooo good at this. A flush of warmth flows
through
the girl. Followed by a thoughtfulness. This... this is his
world.
Robin turns back to the floor, her brow furrowed contemplatively.
A
flash
of white in the doorway attracts her attention, her father re-entering
with
some guy in a Viking costume... something about the way he walks.
Robin
cocks her head in curiosity. But from the angle of her father's
shoulders...
the Ranger drifts over but keeps well out of earshot and
non-intrusively
from lines of sight until the end of the waltz.
As
her father and the Viking end their conversation though, and the Viking
departs,
the girl scoots over to Prince Julian before she loses him again in the
crush
of people.
"Sir?
When will we be leaving for Arden?" Robin bites her lip
unconsciously
as she waits for the answer.
"Tomorrow or the next day, depending on how business in
Amber
goes," Julian replies. "I know you are anxious to be home, so we shall
not
tarry a moment longer than necessary."
"Oh, *thank* you, sir." Robin breathes out a sigh of
real
relief. In the lines of her shoulders, in the shifting of her
feet,
in the fluttering of her hands, the girl is definitely getting
over-stimulated
by the crowds and the noise and the smell and the colors and, and, and.
"Jovian,
Kourin and Vere asked me to go flying with them tomorrow half a watch
before
noon. And I haven't been able to get with Solange in all this..."
Robin
waves a hand at the swirling sea of people. "And Reid said
something
that might be real bad. And... Dad? Can we go somewhere
more
private?" _More quiet_ "Please?" Robin rubs her furrowed brow
between
her eyes.
Robin knows that she has Julian's attention, but he also
has
an eye on the conversation between Paige, Jerod, and whoever that
Viking
that Robin's been seeing with hanging around family members this
evening
is. He is frowning slightly.
"We
will find Solange together, if you like. I believe I saw her waltzing
with
your cousin Marius a moment ago." Julian watches Jerod and the Viking
screen
Paige as she does--something. "But just now, let us see what has
flushed
our flock of red-headed quail."
Immediately, Robin's mind is off her own issues. She
stops
fluttering, shifting and crooning nervously instantaneously. The
Ranger
doesn't change her position but turns her head slightly so that the
bevy
is in her rather acute peripheral vision.
Inwardly, Vere is busy calculating his next move.
Originally,
he had planned on moving from this dance to one of the other ladies on
his
list of people he wished to speak with tonight, but in the process of
spotting
their locations as the waltz ended he's also spotted some intriguing,
and
potentially worrying, trends in their behaviour and groupings, and he
suspects
joining any of them would bring unwelcomed attention to them.
He
bows over Lady Vesper's hand, brushing it with his lips through the
gauze covering his face, and thanks her once again, before
straightening,
offering a bow to her companions, and departing. He takes the
opportunity
of turning to scan the room, confirming that, yes, he did spot
Robin
conversing with her father, and noting the main focus of Julian's
attention.
Curiouser and curiouser.
Making
a rapid decision, Vere heads back towards Gerard. It's the most
expected thing he would do, and right now he suspects that behaving
normally
is a good thing. And from his vantage behind Gerard he has a
fairly
good view of the main hall, and perhaps he can begin to put the pieces
together
and determine just what is going on out there.
As Brennan and Cambina are leaving the dance floor, they
find
that Martin, with Folly in casual tow, is heading in their general
direction.
Brennan slows down enough to let them catch up. It's
a
change of plans, but perhaps a necessary one. He gestures
discretely
and move the conversation to one of the nooks-- one with a good view of
the
scene, if possible.
If he can catch Lilly's eye and attract her, so much the
better.
Folly smiles a greeting at Brennan and Cambina as she and
Martin
fall into step beside them. Her attention seems at least
partially
elsewhere, though, as if she's keeping track of something out of the
corner
of her eye -- a process made more challenging, and thus less subtle, by
her
mask.
Brennan is probably as distracted as Folly is-- but he
manages
a polite nod and a smile back.
When
the four are all together, he gives a quick glance around the room,
recalculates,
and replans on the fly. This time, the plan isn't even going to
survive
contact with the allies.
He
gives Cambina a shrug that might be an apology for rampant
improvisation.
Martin shakes his head subtly to Brennan's gesture towards
one
of the exits from the Hall.
The mask hides much of Brennan's expression, but the tilt
of
his head implies, "Have it your way-- next time you'll listen to me."
Cambina glances at Folly, as if divining her intention by
something
in her bemasked face, and shoots Martin an exasperated look.
Under
his mask, Martin's jaw tightens slightly, but he keeps his tone light,
if
mildly sarcastic. Folly isn't fooled for a moment by his tone, and
neither
is Cambina, Folly feels certain. What he says is, "Don't worry,
sweetheart,
you're safe. I won't ask you for another dance. I'm here to talk to a
man
about a shadow." He turns his attention to Brennan and is about to
continue
when Cambina cuts him off.
The swan-bill sweeps the trio and Martin's lips press
together
in a thin line for about a half second. He says, firmly: "At this
moment
My Highness is suddenly interested in finding out who I danced Lord
Chantris'
Galliard with in the middle of the first set, if it wasn't Cambina."
Brennan
has no trouble hearing the capital letters in Martin's invocation of
his
own title.
Folly looks at Martin, her eyes wide. She doesn't
say
anything, but the sudden prickle of gooseflesh visible on her exposed
upper
arms suggests she might have an idea of what's going on.
No one should have any trouble hearing the sound of
Brennan's
molars grinding together.
Cambina's voice has taken on a terrible urgency of its
own.
"I was outside with Marius talking about some odd dreams he's had.
Chantris'
was ending as we returned."
As Lilly exits the dance floor, she notices Brennan
looking
her way. Something in his eyes, or perhaps his posture, brings her back
from
the joy of the dance. It looked like it was time to get back to work
and
back to reality.
"I
believe the fox over there may indeed be trying to garner my attention.
Shall we go find out what it is that he wants?" It might be time for
the
real world to step in but Lilly was not quite ready to give up Ossian's
company.
For whatever reason she found herself wanting to know him better.
"Yes, why don't we?" Ossian says, but his voice lacks that
enthusiasm.
Slowly she began to make her way across the floor. There
was
no sign of urgency in her step. Even if something was wrong there would
be
little point in calling attention to it, or so she believed. If there
had
been surely Brennan would not have been so subtle.
The Viking, after talking with Julian for a short while,
takes
his leave of the Archangel and gets a small glass of scotch.
As
the waltz draws to a close and Jerod and Paige make their way towards
that
general area of Bleys, the Viking approaches the pair. "Lady
Dragon,
Lord... Jerod," he says with a bow, "I am unsure what to term your
attire,
sir. An interesting Conflict of Light and Dark. Perhaps we
can
discuss the concept over a drink?" and she offers the scotch to Jerod.
By the time the Viking has moved close enough, Jerod knows
who
it is. You don't forget someone you spar with. And no one
gets
to sword range without Jerod knowing who it is. (unless Jerod
doesn't
see them coming, which is another matter).
The
offering of the scotch clinches the impression and Jerod studies the
outfit
before smiling. "Indeed." he says. "I could say the same
for
your attire...*Lord Viking*." and he accepts the glass, sniffing to
determine
its background. "Your attire ensures freedom from custom for the
night.
I approve."
The Viking smiles as he sips from his glass of water,
allowing
Jerod to continue.
"It is a symbol I learned from my arms instructor during
philosophy
training. A blending of the Light and Dark, as opposed to a
conflict.
They are the elements within each of us. Do we allow one to
become
dominant? Do we seek the middle ground between the pair? Or
do
we seek to transcend the pairing, and become more than their sum?"
"Ah, yes. The light and dark in all of us.
Order
and Chaos. Of course," the Viking turns slightly to survey the
room,
"there is perhaps one here tonight with much less Order than expected."
The
capitals are obvious to well-watered characters. "One should
always
be on the Alert for an unexpected imbalance towards Chaos."
"Anyone in particular? Have the usual suspects have
been
eliminated?" Jerod asks, making a slow motion to scan the room,
comfortable
that an intruder would not suspect his intentions. He is doing
exactly
what is expected of a member of Court during a Court function -
checking
out the crowd, just as dozens of others are. And he has his Court
face
on.
The Emerald Dragon's smile is the same as it was when the
Viking
arrived, perhaps even a bit broader. It maybe that the Viking has
shared
some witty remark or complimented the beadwork that went into Blythe's
lovely
creation.
Acquiring a glass of wine from a passing server, Paige
also
scans the room for one person in particular, a merlin hawk that might
need
to take flight. "Perhaps those closest to Chaos might sense the shift
best,
knowing its source."
"I'll
see if I can find him," Paige suggests with a small covering chuckle.
"Let others know if you can." Jerod says, a polite smile
on
his face as he bows slightly to her in preparation for her departure.
The Viking bows slightly at Paige as if accepting a return
compliment
and says to Jerod, "The Hawk and Moth are well known and not close to
the
fire. I have had little contact with the Moth's companion and
have
not actually found him in the crowd yet to know if he is causing any
chaos.
The Emerald Sorceress and Sir Fox are spreading the tale with
potentially
a little Devilish help." A slight pause and then to Paige, "The
Sorceress
was thinking that a display of her power might attract too much
unwanted
attention; even a more subtle move to contain her prey was apparently
ill
advised."
Paige nods and touches the Viking gently on the arm, "I'll
remember
that."
Setting
the wine glass down, she shuffles something from within the dragon's
tail
into her hand, a packet wrapped in emerald silk, about the size of
cigarette
case. Using the other cousins as cover, she shuffles out her Fortunes,
smiling
at their cold feel as she locates one of a young dark haired man,
sitting
at a table. Concentrating on it, her bowed head might be embarrassment
or
just shyness at the Viking's words.
Jerod chuckles a little, enjoying the act of acting on the
greatest
stage of them all... all the while still watching.
"Once
the Dragon has finished her meditations, let us go for a walk around,
Lord
Viking." Jerod says. "See if we can't find something that doesn't
belong."
"Certainly. A hunt would be fun. Perhaps you
can
suggest the best course to lead to success?" the Viking glances out
across
the room and, noting Lord Julian's gaze, raises his glass and nods in
acknowledgement.
"The Archangel might provide some experience on a true hunt through the
darkness."
The Trump contact comes into focus. Merlin is in one of
the
many nooks scattered about the side rooms of the Great Hall. He's also
terrified,
as much of the contact as of whatever he's dealing with. There's a
sharp
tang of relief as he recognizes the touch of his mentor on his mind.
"Bring
me through. Now," Merlin says, and extends his hand. It doesn't sound
like
a request.
"A bit flashy," Paige whispers to her friend.
"Can you wait until I get someplace quiet?" she asks, moving for the
closest
secluded place she can see, the card palmed now.
"No."
Merlin
appears almost on top of Paige, in what little space there is between
her
and Jerod and the Viking. He's wild-eyed, and the Viking can smell the
sharp
scent of fear on him.
It happens that Aisling is where Marius and Solange step
off
the dance floor. "You danced together like a warm summer's
day,"
she remarks with a smile, inclining her head to them. "Allow me
to
take a moment to remark on the excellence of your costume, my lady; I
am
very much impressed by the articulation of your wings."
"Articulation," Marius murmurs with an amused quirk of the
lips.
Solange chooses to ignore whatever Marius might be
insinuating,
since she finds herself annoyingly unable to discern what it might
be.
She responds to Aisling:
"Thank
you! It looks more complicated than it really is -- the
mechanism's
similar to an expandable hat-rack. I like the way you've managed
your
own wings, myself."
Aisling's own wings swish a bit, her streamers clearly
having
been on their way to do something, and she turns her head and stares at
the
Merlin-fading-rainbow-Paige-Jerod-Brita group full-on, as she
does
so not so much like a hawk as like an icon, carved from ivory, the sort
of
thing you'd find gazing out from an alcove of some very strange Russian
church.
Then
she turns that gaze on the entire volume of the ballroom in a slow
360.
There is danger here, and she is surrounded. There is still no
one
making for her in a suspicious manner. Her position when she
halts
is such that she can easily see her affine, but no one could follow her
line
of sight directly to it.
Marius frowns, but it is seemingly more at Aisling's
distancing
than the Trump.
"The Viking is Brita," Aisling very quietly comments to
the
two with her.
"So I'd guessed," Solange answers just as quietly.
"It
did take me a while."
Marius tilts his head to listen, and then nods. He
examines
where he is in the room in comparison to others he knows of The
Family.
"There are so many people here," he says, under his breath. "I do
hope
no panic is going to begin. It would ruin my plans for a warm and
cozy
night." He winks at Solange, but he is also beginning to pull
himself
into a kind of "alert state."
Solange smiles back at the wink, but is equally concerned
with
surveying the room.
He carefully kept himself "a dagger's length" away from
Aisling
from the beginning. He's keeping those daggers' lengths ready at
hand(s).
A faint Aisling smile flicks by at Marius's comment.
There's
a pause while she just senses the environment, and then she says
further,
quietly, "We are suited, as a trio, to watch out for each other's
backs,
while 'conversing'... Or perhaps one of you two is a being who
could
ask one of the knowing groups what happens?"
From the corner of her eye Lilly saw it. Merlin appeared
as
if Paige had pulled him through a trump. Certainly that could not be
considered
normal behavior. For a moment she paused in her motion. Part of her
wanted
to continue on to Brennan's side. The other part of her wanted to go to
Paige
to find out what was going on. As those two sides argued, her instincts
shifted
to exactly where they needed to be. Lilly began to look for the Queen.
If
something had indeed gone wrong, Vialle would need her protection.
Vialle is leaving the dance floor with Bleys, with whom
she
was dancing.
Ossian is obviously slower to react.
"Someone
obviously want to ensure we won't have a boring evening." Ossian says.
"It would certainly seem that way." Lilly cannot hide
either
the note of disappointment nor the hint of excitement in her voice as
she
speaks.
"You want to be near the queen?" he continues quietly.
There
is a slightly nervous tone in Ossian's voice.
Lilly nods. "If there is a true danger, the Queen's safety
is
my primary concern."
"Back to back." Jerod says quietly to the Viking, watching
his
half of their perimeter, and those who are doubtlessly now watching in
their
direction, trusting in the Viking to cover the other half while Paige
takes
care of Merlin.
"What's happening, and which room were you in?" Paige
asks,
helping Merlin to straighten.
"Brand," Merlin says breathlessly. "He looked like Brand.
Or
Brennan."
It's fortunate that the Emerald Dragon's face is powdered
white
beneath her ask. It hides color draining from her face as her mind
races
to a conversation no more than a half an hour ago. As quickly as it
comes
she dismisses it.
Brita's response is to say in her Viking voice, pitched at
a
level to be heard by those non-family around them, "Lord Hawk! My
compliments
on your costume; it blends as well as a true hawk's camoflauge as I did
not
see you behind that plant. I believe the Lady Sun was looking for
you
earlier..." and Brita turns, managing to position her back towards
Jerod,
as she scans a half of the room as if looking for Solange.
In
her normal voice but almost under her breath, Brita says as she notes
various
reactions, "The Family is alert tonight." Her gaze passes over Vere, a
slight
nod of acknowledgment to Brennan as she catches his eye, and finally in
her
Viking voice, "Ah, there is the Lady Sun, she has attracted a Moth and
an
Otter to her sphere." The Viking's stance is relaxed as he gazes across
the
room. Brita notes Aisling's perusal of the room and subtly begins
to
follow her gaze without seeming to move her head - the wonders of a
full
mask....
When Vere makes his sweep of the Hall from Gerard's side,
he
sees that Merlin has suddenly and unexpected arrived in the middle of
the
Paige-Jerod-Brita trio.
He
is also in position to see the reactions to the arrival.
Vere's immediate reaction is to scan the Great Hall and
any
portions of the adjoining rooms he can see from where he
stands,
looking for anyone reacting to the situation in a way that seems out of
character.
Trumping Merlin in like that was almost certainly the result of a
serious
threat (although in the back of his mind Vere acknowledges the
possibility
that this is simply another example of Paige acting without considering
all
the consequences of her actions). Combined with the unusual
activity
that he had already noticed, the probability is very high that
something
dangerous is going on, and as someone not in the middle of things he is
in
an excellent position to gather information.
The crowd is confused and curious, but not fearful.
Vere
can
see pretty much all of the reactions.
Gerard
asks quietly, "What's happening?" Even in his wheelchair, he's tall,
but there's a limit to how much he can see in this crowd.
Folly makes a guttural sound that might be a stifled
expletive,
although the emotion behind it is concern rather than anger. "I'm
gonna...."
She gestures minutely in Merlin's direction and is about to take off,
when....
"Oh, son of a *bitch*," Brennan mutters with passion to
Cambina,
"The same shapeshifter that set Merlin's shorts on fire and sent him
scrambling
through Paige's Trump, I'd guess. It's what I was trying to tell
you--
Brita detected a chaosi, and we don't know who. My money is on
Dara."
Martin says, "Next time, spare me the song and dance and
spit
it out first thing." Folly thinks he made some effort not to snap at
the
other man. The altogether uncasual gesture that ended with Martin's
hand
on Folly's arm puts Martin's hand near his own blade, should he need to
draw
it.
It is an effort of pure will for Brennan not to put his
hands
on his weapons, but to stand or walk seemingly relaxed, engaged in the
futile
effort of trying to see where Merlin came from. Maybe the
infamous
Vere will have had better luck.
He
looks at the vast sea of costumes, masks, and hidden identities.
"Our
recognition phrase," he says, "is 'bitter irony.' This is so not
good."
Folly has stopped in her tracks and is standing very
still,
waiting, thinking, her attention divided between Martin and the group
around
Merlin.
Brennan's eyes are still, futilely, on the crowd, but his
ears
are on the conversation.
The Huntress watches as the flustered hawk appears among
the
quail with the flicker of a curious eyebrow, but no other change of
expression.
"Sir?"
she murmurs, ever so quietly. "I'm strung and loaded in five
seconds.
Should you need it."
"Not yet," says Julian. He watches the movements of his
siblings
across the floor.
There's a stir and ripple in the crowd as Merlin's sudden
appearance
from nowhere is noted by those nearby. Brita's attempt at covering
seems
to confuse people, but some of them are pretty sure of what they've
seen.
The
elders are all leaving the dance floor in pairs. Fiona is watching the
group Merlin has joined, and Random is looking around intently.
Bleys
is casually scanning the crowd, his hand near but not on, the hilt of
his blade. Catching sight of Lilly, he takes the Queen's hand and
starts
to lead her to her protector.
Corwin
breaks from Flora and starts to move towards the little knot his son
has joined. Flora cuts across to Random, and gestures to the musicians,
who strike up another waltz. She extends her hand to the
King, who
notices the Sun only after the Sorceress in Green has
nudged him,
and belatedly the King moves to join her.
Caine
appears to be making a beeline for someone in the crowd, with
Llewella in tow. (Ambersiders suspect it's M.)
Brita and Jerod can see the elders' reactions. As
the
music starts up again, Jerod catches sight of Venesch moving through
the
crowd towards the King.
Given what Merlin just said and the fact that unless all
his
Elders are lying Brand is dead and gone (they could be lying but it's
very
low on the probability scale even for his level of paranoia), Jerod is
going
to take a good hard look at Venesch, and wonder if it's actually him.
Jerod could not be sure from the look of him, but he knows
the
movements of his old armsmaster like he knows the grip of
his own
blade.
If that's not Venesch, it's someone who has studied and mastered the
movements
of the Captain of the Guard.
Then suspecting that all will be well on that front (and
any
bad news Venesch might be handing to Random is something Random can
handle
on his own), Jerod proceeds to blend in and vanish in plain sight.
Jerod
is able to do so. The crowd is buzzing around him.
"
...
he just appeared ..."
"
...
say he's a strange one ..."
"
...
chaosite creature ... sometimes male, sometimes female ... disgusting..."
"
...
Prince Corwin's son ..."
Brita looks for her mother and brother in the crowd,
noting
their reactions and actions. Casually she asks, "You have seen
our
Fox, Lord Hawk? Perhaps you mistook another for him as I was
speaking
with him before the waltz, which he danced with Lady Moon, I
believe.
The costumes can be rather confusing at times."
"I am acquainted with the Fox. Yes. It was not he, but one
who
looked much like him. Garbed as a raven," Merlin says. He sounds a
little
less panicked.
Paige nods. "It's a very confusing thing a masquerade, the
art
of things not being themselves," she agrees. "We'll have to see what we
might
see, but for the time being, perhaps being seen is enough."
Sliding
her hand under Merlin's she heads toward the dance floor, and hopefully
into
the path of an argent and sable harlequin. "I'd be thrilled to trip the
light
fantastic with you, my dear Raptor, especially since our last dance was
so
rudely interrupted." _Stay visible, stay safe._
While Jerod does the exact opposite - he blends in to the
crowd
of Court, moving off to one side to allow the focus to be on Paige and
Merlin
and less on him.
Merlin takes her hand and the two of them head out towards
the
dance floor. Corwin intercepts them.
Corwin
says, "What happened?"
Merlin says, low, "I wanted to be away from the crowd, so
I
found a private place. Someone came on me there. He was a sorcerer, and
he
had red hair. He looked like Brand or Brennan. He said I must return to
Borel
with him, and made to force me. Paige called me and so I came."
"Safety trumped discretion," Paige says to her uncle.
"Which room had you hidden yourself away in, Merlin? Short odds we can still
find this Raven, but it's a start."
"I could go there," Merlin says and shrugs helplessly.
Paige
recalls that Merlin is not very good at giving verbal directions, and
was
quite surprised to realize that he could navigate square blocks in
different
ways while still coming to the same place.
Paige feels the familiar touch of a Trump on her mind,
distracting
her from Corwin's reply.
Paige accepts the call with the words, "Describe it, Hawk.
The
Harlequin should be able to place it."
"... was a sorcerer?" Corwin asks in a low, intense voice.
"I
am."
"Damn,
Damn, Damn. What the hell would they send one here for?"
Corwin
says, loosening his blade in its scabbard.
"I do not
know,
Father."
Corwin
turns to Paige. "Sorcery and Shapeshifting. Most of us will
be useless in this fight. Try to let your cousins
know."
Paige nods to the Harlequin. "Is running an option?" she
asks
softly just in time to see Jerod's approach. She slips Merlin's Trump
back
into a convenient pocket for the moment.
If Ossian and Lilly can locate the Queen, Ossian will lead
Lilly
there, unless she wants to run.
For now Lilly settles for walking. She does not want to
alarm
anyone in any way.
Bleys is leading the Queen towards Ossian and Lilly.
Ossian stays quiet for a second, and lets Lilly start the
talking
if she wants to. (She probably has more important things to say than
Ossian
does right now.)
"If you sense anything unusual, please let me know. I
believe
that there might be
undercurrents I may overlook. We all have our strengths.
And
I believe yours and mine are quite different. If we work together, I
believe
we shall have a greater chance at success."
"I shall keep my eyes and ears open." Ossian smiles "Did
you
notice if Paige had a Trump in her hand?" he asks very quietly.
"I know only that she had them on her person." Lilly
responds
in the same hushed tone.
"Well. Let's hope Merlin's arrival wasn't just a
distraction."
On their way there Ossian tries to see what the reaction
of
the crowd is, by looking at people and listening.
There is confusion and concern, but no danger of a
stampede
at this time.
Good. Ossian thinks a stampede would be bad; a panicking
audience
does not watch, nor remember very well. But people seem
alerted
to the situation; that is certainly good.
As Corwin crosses over towards Merlin, Paige, Jerod, and
Brita,
Martin looks torn for a moment. He says, "I don't think she can hold
costume
changes. Look for Cambina, or someone in similar garb."
Brennan nods, understood.
Folly nods, frowning. "The Not-Cambina -- she seemed
to
know you?" she asks. The intensity of her gaze makes it seem like
several
questions at once.
Martin nods once, abruptly, but doesn't speak.
As the musicians strike up the second waltz, Martin looks
at
Cambina, and there's a moment of communication that neither Folly or
Brennan
is quite privy to. "Luck," says Martin to the both of them, and
relinquishes
Folly's arm to take Cambina's hand.
Martin
and Cambina depart for the dance floor.
Folly gives another slight nod, and a hint of a
smile.
Then she turns to Brennan.
"I'm
gonna check in with Paige," she says, dropping into a casual crouch,
the
sort one might use to tie one's shoes. Instead, though, she
rummages
around under her voluminous skirt for a moment - Brennan probably
notices
that she's turned her left hip, where most of the rummaging seems to be
going
on, toward him, presumably to avoid flashing the crowd -- and comes up
holding
a wooden card case, open, with Paige's Trump at the ready.
If Brennan can stand in such a way that his own cloak
accidentally-on-purpose
conceals her actions, he does so.
"You want in on it?" she asks. She extends her free
hand
to Brennan...
...and
then frowns, noticing her glove. She has no idea whether this
requires
skin-to-skin contact, or what.
There's a very brief, but just noticeable pause, while
Brennan
thinks about that. "Yes. But I don't know if I can."
For
the record, Brennan's costume also has gloves. On the other hand,
it
also has a cloak, and if skin contact is really necessary, they might
be
able to work something out.
"If
not, I'll just pretend to talk back to you and give you some cover."
Folly nods, thinking -- and decides to run with the first
reasonable
solution that occurs to her.
With
a so-beyond-caring-what-the-biddies-think smirk, she grabs the top edge
of
her glove between her teeth and peels it down to the middle of her
forearm.
She feels confident Brennan can take care of the rest, should it become
necessary.
Something about Brennan's glove gives him a momentary itch
a
few moments later. Shockingly enough, getting his fingers to the
right
place to scratch that itch leaves a strip of his skin showing.
Folly's standing within easy reach -- quiet, private
conversation
distance -- with her now-partially-denuded arm toward Brennan.
With
a slight twist of her wrist, she offers him her hand again.
Of course, once he takes her hand, I bet none of that will
be
noticeable, since the bared skin will be against each other and not
really
visible.
Thus situated, Folly turns her attention to the Trump in
her
other hand. She concentrates.
Brennan follows Folly's lead. As far as he's
concerned,
she's the expert.
Paige accepts the call with the words, "Describe it, Hawk.
The
Harlequin should be able to place it."
There's the briefest hesitation as Folly tries to work out
what
Paige is talking about; but then she plunges ahead with, "Hi, sweetie,
it's
Folly -- and Brennan. Is Merle OK? We heard rumor of a
Chaosi
intruder."
Folly's
voice is low and even, but Paige can still feel the concern behind it.
Brennan does nothing to distract Folly from the Trump
conversation
she's having.
But
the confirmation of black costume continuity, the tendency to
impersonate
family members, and the desire to get close to Merlin puts a very odd
thought
in Brennan's mind. Thus, while he's scanning the room to look for
suspicious-looking
individuals in black costuming coming out from the side rooms,
(including
the Raven that Folly just mentioned) something that will really stand
out
as suspicious in his mind is... anything that looks like Corwin's
black
and silver harlequin costume.
It's
a stab in the dark with a stray intuition, but sometimes you get lucky.
"Redhead, looks like Maestro or the Fox, dressed as a
Raven.
Sorcerer, too. Not sure what room the Hawk ran from."
Folly's fingers reflexively tighten around
Brennan's.
"A Raven," she repeats. "So, still in black, then. It was
Cambina
earlier, apparently -- and was convincing enough to fool Martin."
Dropping
her voice even lower, Folly continues, "Was it after Merlin specifically,
do you know?" but what she really means is, _Should I come over there
and
be another barrier between him and It?_
"Yes, wanted to take him home to the flock, as it were,"
Paige
answers.
"We've
got a Harlequin here to help keep the carrion birds at bay,"
_You're
safer away from us._
Folly nods her understanding, but she looks concerned.
"You're better off able to see your way out," Paige
matches
Folly's tone. "Be safe," she says trying to shift her focus back
to
Corwin and Merlin.
"You, too, sweetheart," Folly says. She looks like
she
might be about to add something else, but then decides against
it.
With a farewell smile, she breaks the contact.
She
turns to look at Brennan. "She was pretty terse," she says,
"but.... Merlin was in a side room -- we don't know which
one --
where
someone who looked like you or your father, dressed as a raven,
approached
him and...." Folly pauses, recalling Paige's words. "Wanted
to
take him home to the flock. Don't know for sure whether there was
threat
of force."
The only part of this that Brennan hadn't already inferred
or
deduced was that someone was masquerading as, possibly, himself.
_That_
gets an eyebrow raised. "For right now, we have to assume there
was,
or would have been."
She suddenly realizes she's still clutching Brennan's hand
and
abruptly lets go with a mildly embarrassed little smile.
Something about that sparks Brennan's dry sense of humor
even,
or perhaps especially because of, the circumstances. He glances
out
on the dance floor at Martin and Cambina. "When this is settled,
though,
I believe I'd like a dance."
Folly's smile shifts to appreciative amusement.
"You're
on," she says.
"Count on it."
Marius, Solange, and Aisling see the crowd reactions, and
particularly
Caine heading for M.
"My sister is distracting the herd," Julian says as Flora
moves
towards Random and the music starts again. "I must play my part.
Remember,
a show of force will startle the deer, and that could be a tragedy. Go
gently
unless attacked."
Robin nods minutely as she watches the pack swing into
motion,
pacing together to separate and supporting ends.
"Orders,
sir?"
"Find out what is happening if you can, but quietly," says
Julian.
"Meet me again after the dance with your report."
He
releases Robin, like a hawk from her jesses, and moves along the edge
of
the crowd until he finds a suitable young lady, garbed as a nightingale.
Robin
cannot hear all of the exchange, but she sees the girl flush with pride
and
pleasure as Julian takes her arm, all the gentleman, and leads the girl
onto
the floor for a waltz.
Vere leans over casually to his father, and says in a low
voice,
"The immediate cause of the commotion is the trumping of Merlin into
the
main hall, presumably from somewhere nearby, and presumably for a
serious
reason. He was trumped into a group containing Paige, Jerod, and
Brita,
who incidentally has been wearing man's attire this evening, if you
have
not already spotted that.
"Even
before that, however, certain members of the family were behaving in a
way
that made me believe they were anticipating some sort of potential
trouble.
Prince Bleys is currently with the Queen, Lilly is on her way to
her.
Princess Flora has taken the floor for a dance with the King, Venesch
is
headed in his direction. Prince Julian is certainly aware of the
trump,
he was watching Paige, Jerod and Brita even before that occurred.
Solange
is with Marius and Aisling, they are all three on alert. Folly
was
with Martin, they had met Cambina and Brennan just before this
happened,
and have now changed partners." He frowns briefly as he says that
last,
then continues, "Prince Corwin is heading for Merlin, Prince Caine is
heading
for Marquess Maritime."
Gerard says, "Something's afoot, all right. Trouble, if
Caine's
going to M. You know he's got men among the guests, of course."
"He likes to be thorough," Vere replies. He
straightens
again, and continues watching, gathering more information, and trying
to
piece together what's going on. He smiles quietly as he watches
Robin
receive instructions from Julian and set out on whatever task she's
been
assigned, but doesn't allow himself to become distracted by
concentrating
exclusively upon her, tempting though it is.
Making
sure that no one else nearby can hear, he continues to give Gerard
updates on what is happening as it occurs.
Benedict intercepts Venesch, and they converse. Caine and
M
are speaking. Martin and Cambina are at it again while
waltzing;
score one for Martin. Random and Flora are waltzing;
Julian
has found a partner.
As the music ends, the Firebird offers a deep reverance
that
puts him almost on one knee, bowing over the Gryphon's hand. "But as
long
as the interests of King and Country are one, why should it not be so?
Now
is not a time to be the enemy of destiny, would you not agree?"
"How could one disagree?" she chuckles lightly, and thanks
him
for the dance and conversation as he guides her off the floor
"May I call upon you again sometime soon, dear lady?"
"It would be my honor to accept your call, Sir Knight."
She
leaves him with a smile, retiring into the swirling, murmuring crowd...
just
in time for the Knight to see what the murmur is about, a lingering
rainbow
shimmer and a Hawk freshly appeared from it.
Something so flashy, in this crowd? Alarums begin to sound
in
the Firebird's head. And currents of movement begin to make sense. He
looks
around for his father, finds Temperance and the Huntress parting
company
as the Sun and the Emperor call another waltz. Cover. Yes...and while
everyone
watches them, they watch everyone in return.
And
out of a memory that feels eons old though it was barely more than a
fortnight,
a voice echoes. A fevered, desperate voice. As desperate as a Chaosite
re-entering
the main hall by Trump....
No.
There could not possibly be a reason to think about that now.
Still...he
had to admit. He'd be more comfortable near her.
He
scans the hall and finds her, standing stock still in a way that gives
him
a half-second's chill. With Marius, and a gorgeous winged sun-goddess
whose
acquaintance he had not yet made. But her attention was not fully with
either
of these.
He
closed the distance across the floor with strides he forced to make
appear
something approximating casual.
//Canareth,
alert the wingleaders,// he projects as he walks. //Something is
very
much not right here, but I don't know what yet. If anyone's
actions
are seeming out of place, they should keep watch and keep me posted,
through
their dragons and you. Particularly anyone keeping too close a watch on
the
little guy dressed like a hawk.//
As Jovian moves through the crowd towards the group that
contains
Aisling, her attention turns to him and she watches, estimating.
Even
past the point where the grey suede glove on her right hand is aerated
by
the sudden appearance of sharp pale shell-purple edges along the sides
of
her palm and spikes at the ends of what were fingers.
(And
by that, to be clear, I mean "finger". She only has the one
complete
one on that hand. ;) In fact, the only parts
of
the glove that aren't neatly cut, top from bottom, are those that cover
the
missing end of the ring finger and the chunk of palm.)
No,
first she spends a certain amount of time cursing bluely behind her
ivory facade, and then she spares a brief glance down, perhaps a hint
of
a sour Benedictine expression on her face, and then she casually tucks
her
right hand under her left arm, and nods a bit to Jovian in greeting.
"Well met, little Moth," the Phoenix says aloud as he
comes
near the odd trio of Moth, Otter and Sun. "Is it possible my flame
could
draw you out onto the dance floor?" There is a subtle emphasis there;
non-cacti
might well hear the subtext of _Move with me, before you become a focus
of
attention for worse reasons_....
Marius has made no comment for a moment or two, although
he
nods politely at the Phoenix's arrival. Those so inclined towards
the
fiery side of the spectrum would notice however that the fluttering
lovely
is now part of his potential "threat spectrum." It would be hard
to
say if it is a protective or defensive stance, however.
He
closes his eyes for something that would just seem like a long blink
and
then looks towards the Sun. But not directly at, of course.
"Would
you mind, my dear lady, if we whirled once more in orbit?" A
tension
has been released here. He looks at the Moth and smiles, showing
his
teeth. It's not an unfriendly smile, in fact, the words behind it
might
be, "You are safer somewhere else than around me, this moment."
"A pleasure," Solange answers, picking up on the obvious
tension
between Moth and Otter, and not at all inclined to thwart the clear
attempt
to defuse it.
Aisling bows to them slightly in farewell. There is
no
tension on her part. Nor is there frustration; nor is there "Oh
dear
god, please don't leave me with him". There is, in fact, no
particular
emotion at all visible about her.